Soldiers of the Cross was a pioneering multimedia event that combined film, slides, live music and narration. Its creative ambition and emotional power left a lasting mark on Australian cinema and inspired audiences across the nation.
Few productions in Australian history can claim the influence and ambition of Soldiers of the Cross. Premiering in 1900, this ground-breaking work from the Salvation Army’s Limelight Department was not just a film but a multimedia spectacle that blended moving pictures, hand-coloured lantern slides, live music and stirring narration. It was a creative leap that set a new standard for storytelling and inspired generations of filmmakers.
The idea for Soldiers of the Cross began with Commandant Herbert Booth and cinematographer Joseph Perry, who saw the potential for film to do more than entertain. “We wanted to move people, to make them feel the story in their bones,” Perry later recalled. The production aimed to bring to life the heroism and sacrifice of early Christian martyrs, using every tool at their disposal.
At a time when most audiences had never seen a moving picture, the Limelight Department combined more than 200 hand-painted lantern slides with dramatic film sequences. Each performance was accompanied by a live orchestra and passionate narration from Booth himself. As one historian says in the documentary, “It was a total experience, not just a film. People wept, people were inspired, people left the hall changed.”
With limited resources, the team relied on creativity and collaboration. Salvation Army officers, Perry’s own sons and local volunteers donned biblical costumes and performed in makeshift sets.
The Murrumbeena Girls Home’s tennis court became the Roman Colosseum, while painted backdrops and clever lighting created dramatic effects. In one memorable scene, a real lion borrowed from a travelling circus added authenticity and excitement. The technical challenges were immense. The team had to synchronise slides, film reels, music and narration, all without the benefit of modern sound or editing equipment. “It was held together by faith, sweat and a bit of luck,” one crew member joked years later.
The debut of Soldiers of the Cross at Melbourne Town Hall drew a crowd of over 4,000 people. The response was immediate and profound. “The whole effect is very marvellous and is difficult if not impossible of description,” wrote one contemporary reviewer. The production went on to tour Australia and New Zealand, playing to packed halls and leaving a deep impression wherever it went.
Audiences were not just entertained; they were moved to action. Many described feeling called to deeper faith or service after witnessing the story unfold. The Limelight Department had succeeded in creating a work that was both art and outreach.
Soldiers of the Cross is now recognised as one of the world’s first multimedia presentations and a landmark in the history of cinema. Its blend of film, slides, live performance and music paved the way for future innovations in storytelling. The creative risks taken by Booth, Perry and their team continue to inspire filmmakers and artists more than a century later.
As the documentary notes, “Australia had that film industry for 10 years before Hollywood. And it was a vibrant film industry. That’s what’s so extraordinary about this one Melbourne moment.”
For more on the making and legacy of Soldiers of the Cross, explore:
The Limelight Department
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